Tentacle Loot #13 | Neurolucifer – Keygen

Finnish producer Neurolucifer has been diligently spreading his driving Breaks and Braindancers over various net labels during the past year. For the various label cross-references alone it is worthwhile to travel with him from Cyberia via Sun Hole to the New World. With his latest release on Pr0gramma, he now has a sojourn at the label that has already given me shelter once or twice.

On Keygen he guides us through 4 tracks and 3 remixes of Braindance and Breakcore tracks with a classic Planet-µ coloring. Tense, nervous, but always optimistic enough to give the twitching brain little strikes across all emotion sectors.

And since labelhead Ismael Stein (as always) wrote a wonderfully rich accompanying note for the release, there’s not much more to do than pass on the computer keyboard in awe …

“Adopting a mythical namesake, Neurolucifer opens with some low-flying early harsh Aphex Twin-ambient/DnB fusions. These early hints of DnB and 90’s club are refined to a T with stuttering bit crushed breaks, resonating 303 lines, and space documentary friendly sound design. Heartblead and Chrysopoeia both balance this advanced-level puzzle like composition style arranging ethereal pads with fiercely chopped breaks and a squelching lower register. Three remixes round out the bottom end of the album with an initial well deserved chilled take on Heartbleed followed by two versions of Irtauduttuani – one more bass and break driven while the other floats around textures of echoing arpeggios and breaks.”

Tentacle Loot #12 | Mætadata – Simulacra & Simulation

Simulacra and Simulation is synonymous with Jean Baudrillard’s book of the same name, a thing that’s no longer a thing. Something completely born out of virtual building blocks, refusing any reference point from the real world.

In an already alienated world of electronic music, one searches in vain for crutches, created by the artist to carry us back into the real world. Although it is “Electro” in the distant sense, it does not want to make us believe that it was written on analog sound generators with buttons, rotated by human hands. And although it sounds damn “funky”, every note, every beat is set by artificial intelligence. The only remaining reference is the core of this human tragedy: the loss of any reference point, wandering around in a hyperreality with the remaining question of whether this is the next logical step or the last step…

… and all in all, it’s damn funky, polished and suitable for clubs. Five out of five stars, desperately searching for their place in the vault of heaven.

“Tram Komputer” out on Zanderhythm

Tram Komputer is the first compilation put together from a vast number of eight-track-sessions recorded at Vodor L. Zeck‘s Studio over the last five years. On a regulary basis Vodor L. Zeck, DBH and Octobird (and who ever else wanted to join in) came together, simply to create portions of energy made with electronic machines, press record and catch some magic.

The tracks captured on this tape were cut and edited as less as possible and then mastered by Octobird. While all these sessions over the years spit out a vast variety of sounds and styles ranging from Hi-Speed Acid to Trippy Downbeats to Speed-Ambient, this first release represents the more melodic Brain Raves.

A special note of thanks also goes out to Vertical67 for the Tape Cover Design visualizing the different Tram stations it took to get to the Zanderythm studio in Berlin Marzahn.

Octobird Salad #4 | Unrestrained Sphere Diving

Warp Records just rereleased B12’s Time Tourist Masterpiece. A-Ton Records keeps going on to release the Chronicles of The 7th Plain. Who is nobody else than Luke Slater, rather known for driven Techno Bangers.
But these classics are a dreamy proof of how much warmth can be wiped out of a digital DX7 Synthesizer from the early 80s. And this heritage miraculously continues into present days with artists such as Reedale Rise, Stereociti or Charlton.

Always nice and deep, but not a bit pretentious!

Tentacle Loot #9 | Mindcolormusic aux4410

Mindcolormusic’s one man label mastermind DJ mnvr has been pretty busy releasing wonderful little mindbending braindance gems since last year. Sympathetically he skips back and forth between Compilations, EPs and Split-Eps on which he relies less on proven formats than on his sense of coherent track compilations. And so – behind the superstructure of Braindance, Acid and IDM – his publications  always tell a flush story beyond genre boundaries.

The fact that we are choosing the aux4410 from these short stories is, of course, due to the fact that Veglord Vodor L Zeck contributes his part on the knobs here. But together with Quadratschulz, Bromic, Sonornote, Bovaflux and a few others, it creates a wonderful something of nervous drum shuffle, sprinting acid lines and hovering disharmonic megarave emotions.

May the end of this story remain open for a long, long time!

Tentacle Loot #8 | Oxvac – Partials

As part of the American electronic music collective Pr0gramma Oxvac has been releasing his music since about 2015.

On his latest release “Partials” he clearly demonstrates references to abstract rhythm constructs as they were cited by greats like Autechre in the Warp era . However, he neither tries to make himself comfortable in homage nor in practising some kind of beatmashing-competition but adds a very personal coloring. Which, in its warmth, happily stands out from the cold, mathematical IDM sound. The warm analog origin of the modular system responsible for most of the synth sequences is clearly audible and the background noise that accompanies us throughout the whole album sets itself like a little piece of meadow under the tracks so that the organic melodies may writhe on it. The beat structures also seem to hover between complex patterns and a wide-breathing 4/4 bass drum.

So yet again another happy accident to find such beautiful electronic music from the U.S. of A. From this side of the Atlantic’s perspective I can  just say it’s nice that you’re no longer necessarily get overpowered by EDM-Metal-Dubstep, but can also lift the actual treasures (which have always been there!). At least on platforms like Bandcamp and Co.

Tentacle Loot #6 | Brainwaltzera – Poly-Ana

When Brainwaltzera released Poly-Ana in 2017, coming out of nowhere, they were kinda hyped by the fact that they had no other than Aphex Twin as a true fan on their Soundcloud List. These Hypes can easily overshadow the true worth of an release or artist. But it must have worked and is granted to them.

Poly-Ana is kinda like a new Planet that all of a sudden appeared at your window and you start wondering if it always had been there. It combines the warm earthy sound structures of the ones like Four Tet with the wobbly Synth Melodies from Boards of Canada but always keeps to it’s very own emotional dimension. This helps the album to gradually break away from the mentioned comparisons in your consciousness and to develop a timeless value on its own.

Tentacle Loot #5 | Beathaven – Electro Sonatas

The mighty Beathaven himself labels it Devonshire Electronic Music.

“Unknown to the masses, techno and electro was invented in the dangerous back streets of North Devon. This music is in our veins, brains and hearts.”

Like most of his releases he published Electro Sonatas on his very own playground Midievil Records. And it’s yet another excellent example of the healthy diversity of acid infected, machine loving, intelligent dance jamming scene you can find under the hood of Bandcamp, Soundcloud and on various smaller Vinyl Labels.

It’s stunning how Beathaven keeps his tunes from the straight Four-To-The-Floor recipe but still gives you no other choice than follow with your body like a wigglely worm. Add some detuned Synth Lines on top and you can imagine how life was back in Midievil times. Dark but adventurous, rough but also spontaneous. So hopefully Beathaven will keep on leading us the way trough Devonshire Forest.

Tentacle Loot #4 | Ghostband – Grime Synthesis

Got that little scamp! Ghostband is not a band! It’s a kid in a candy store smearing his tunes with glittering melodies and evil plans to put you on one leg. And before you know it you are in the middle of a breakcore massacre.

Ghostband is throwing out self released recordings since 2011 but came first into my consciousness with his Tape Release Acid Deco which got some promotion via the legendary Bleep Store (Which is an offshoot from Warp Records as far as I’m aware). It had “Acid” in it’s name, so what could you do wrong by grabbing it. But it sure wasn’t an Acid Album. It reminded me somehow of Venetian Snare’s early sample based Breakcore mayhems, that always contained this errant wicked humor. But it wasn’t a Breakcore Album by definition. Instead it took all these ingredients and tossed them around with a very playful attitude.

Grime Synthesis takes this musical diversity even further (let alone that it’s not a Grime Album). It feels like AFXs Donkey Rhubarb on heavy rotation. Rhythmically it feels like a bouncing ball that refuses to listen to the laws of gravitation and while the melodies always start kinda fluttering around friendly, you know that this ain’t gonna end in peace.

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