Wagawaga has been a silent companion in my musical metacosmos since the very early days. With his first releases on Acroplane – where I also had my first flying lessons – he absorbed the quintessence of dubstep very early, freed from its bursting clichés and reassembled from a fund of unbridled creativity.
While early albums like JinJaNoonBus still shot from all directions with genre references from Dubstep, Breakcore and Acid, his wobbly sound now seem to spring from a center point. That’s neither good nor bad, because Wagawaga has always been somehow … eh ….. Waga Waga … has always been fun, but it offers a different approach to his world. You may stumble and dissolve, change your physical composition, threaten to give up your body in a literal jungle of bass and swelling drums but finally are caught again with a swing. He utters you the desire to use awareness and control as a crutch and fulfills the unspoken desire to be reborn as a rubber ball. Musically, he puts the complete dubstep manual aside and relies entirely on a breathing carpet of bass and natural field recordings. On this he lets his stumbling jazzy drum patterns swell up and down, weaves in sound effects and mantra-like melodies.
What a wonderful late summer!
Okay, I’m getting old… starting to repeat myself. But in the case of Plic Ploc, you can’t repeat yourself often enough. Just as I can’t stop treading the repeat button on my tape deck for this great Acid Waxa tape.
The quirky French man Lesinge had his album debut with Slide Blinders 2017 on Acid Waxa and in a peculiar way his sound spectrum developed parallel to that of his label by laying on quite a bit thicker. Because just as Acid Waxa slowly and skillfully pulled itself out of the LoFi love affair (a bit), Lesinge has also served a lot of butter since his debut. Always with a base dough made from pure organic Acid, of course.
When listening to his debut one always got the feeling that this was an extremely talented rookie. For example, when he lets entire tracks sink into a swamp of effects on the master track and all these YouTube tutorials mentally impose that taught us that we should never do something like that … still it somehow worked perfectly fine.
With Plic Ploc Lesinge is now delivering a Christmas tree that can barely hold up to all these presents underneath. With generously friendly gestures, he takes us on a journey through (almost) all the playing styles that made us love acid. From funky super hooks on Une Verte Deux Blanches to dystopian Leftfield House on Eruption. From melodic space night jams on Chain to this nervously whipping IDM aggression training a la AFX on Bless.
The whole thing is neither a blueprint nor a retrospective, but simply rounded off extremely neatly. There will certainly be a lot more to be heard in the future. Je ne peux plus attendre!!!
Open your ears and tip your toes for this handy 2-Track-Banger from Metadata!
The Argentine label Infinit Records dropped their third EP into the realsm of Bandcamp in notime. And slowly but steady the musical cornerstones that pull the two labelheads Franco ‘D and Cruz Coronado together emerge. Trippy acid jams, analogue breaks and a balanced preference for classic MPC Downbeats without committing to the 90s all too much – at least not in terms of BPM.
Quite the contrary – Metadata’s TRANS EP (a side project by Cruz Coronado and Lan) raises the pace bar siginificantly. Stubbornly impulsive and yet somehow playful, more drum machine than sample chop, the drum carpet whizzes over the almost 10 minutes. The melody part, meanwhile, jumps happily irradiated alongside. Grinning broadly without noticing how the warning tempo limit signs roll by. It all sounds kind of like Plone at a 90s jungle party, but it’s a fun portion of braindance that warms up for the next group activity.
J’s rolled with fingers crossed 😉
Ahhh … it’s been a while since the last time I gave these virtual turntables a physically modeled spin. Pretty busy grinding down home made rhythm exercises so that they could see the light of the ether as soon as possible. And of course vacation. In dream states around the globe. I wished myself everywhere. As a lively, vibrating disembodied being that flows unabashedly through the bars of the present. Dancing, dreaming, slowly fading.
With their debut EP Seasick in Salts, uh just recently built a wonderfully suitable runway for these dream trips. Somewhere between trippy Acid Ambient spheres of the Orb and free-spirited pop designs of the late Roisin Murphy, uh embark on a journey that never ends in just 30 minutes. Located somewhere between 1990 and infinity.
Klasse Wrecks also brilliantly mastered the art of lifting genres everyone knows and has never heard before from the depths of our subconscious . Their recent releases are basically the blueprint for everything that buzzes around in this OS episode. Endlessly reverberant hooks, tripping breakbeats and sprinkles of classic rave vocals. And with their latest (and for some inexplicable reason purely digital) Homeboys EP, the two Klasse Wrecks masterminds Luca Lozano and Mr Ho simply nailed it (…to the point where describing words become totally redundant).
In order not to slide into oblivion of interwoven dream sequences, a special magic is required. Lesinge, who already made a lot of promises on his Acid Waxa debut in 2017, has now set up his own acid hit list with Plic Ploc. The melodies play ping pong, the bass runs bowl and the beats make cricket. If he continues to grow so steeply, we urgently need an initiative against home sports.
#staysave dream dancers, headphone ravers, virtual snake creatures…
Play with Me
New Jack the House
Une Verte Deux Blanches
Regardless of whether you are fully immersed in global insanity or just chilling out with a tequilla on your hermetically sealed veranda. It’s good to be on acid!
I could expand this cliffhanger now. With pupils dilated in surprise, ponder where the omnipotent influence of psychedelic sound roots comes from. But the real reason for this list is that I generally have a hard time writing extensive reviews for people who are close to me personally. It is obvious! You’re just too scared of hurting your dear friends feelings.
So let’s keep it short and sweet! Shall we?!
My dearest musical colleague and friend Vodor L. Zeck gets busy! In addition to countless releases on his own Zanderhythm, he pours out some funky quirky acid stoners on Acid Waxa and Sitdownanddance!
My new favorite Argentinean trip sitters Franco ‘D and Cruz Coronado have a brand new label! The first long player on Infinit Records features wonderfully trippy downtempo acid jams. Stoned to infinity!
I only met Briain recently when he sold me his Elektron Octatrack on Ebay. Damn nice chap, part of the Berlin Skizze Crew, who (kinda like my good old Various Veterans) do their part to keep the Berlin club culture diverse. And a pretty talented Amen Breaker too!
My best pal Vertical67 has already made way too much acid. Now he lies horizontally and creates a nice ambient. I like it very much! I guess I’ll leave him there for a moment.
Gajek – a companion from the early days of our acid diaries. And someone who had obviously already way too many Kraut! I guess it helps him not to be so cerebral. But it’s the mixture of both that makes his music so great. Cerebral Kraut!
And me … Octobird. Oh, I’d rather not say anything. I am afraid to hurt my feelings!
The Argentine label Guerilla Tunes has woven its very own sound carpet over the last few years. A knitting pattern bursting with colorful joy, and yet permeated with patterns that you have to look at from some distance before you understand them. With a mixture of nature-loving field recordings, interwoven yet friendly rhythm experiments, straight acid house and great artworks they celebrate sonic diversity like hardly any other (musical) island. And yes … it all fits together somehow … thanks to this very fine pinch of Balearic gentleness … just in Argentinian … and straight in your face … know what I’m sayin’?!
Or no…don’t you? Then perhaps Nicolas Spampinato’s 0000 Drama could provide a smooth introduction to this complex unity. His recently released 4 track debut is one of the more accessible releases on Guerilla, which does not mean that they have gone too far off the beaten track here. Because although we are dealing with 4 house tracks, which cling to the lingering 90s nostalgia by rolling along quite funky with a manageable number of elements, all tracks have a personal signature. Nicolas Spampinato appears on this EP as an artist whose personal note nestles in the details. Consistently in the tradition of the old school, somewhere between old Traxxx Records, early LFO tunes and refreshed L.I.E.S records and yet never completely cliché, but always idea first. And so all the musical elements constantly urge to get out of hand to escape the rhythmic bars, but are always reminded of their task just at the right moment: Serve the groove! And that’s good! Because the result is a playful design, a stubborn head soaked in sunlight.
Braindance with a parasol.