Tonight at sidereal time 24.303.00:00 we will finally make contact with the planetary spirit of artistic recycling!
For this purpose we are opening a radio station with the functional name P.A.N. [Planetary Autonomous Network]. In addition, we will gather in our home probe “Bermuda” for the launch of the interstellar transmitter to initiate the first contact together.
Findlinge is my first Album in ages and somehow the first one under the alias Octobird. It’s been quite a while now since I’ve started to keep a lot of my creations hidden in a little box while trying to connect them in all kind of combinations every once in a while. For this one I asked my good friend Max from Zanderhythm to help me with the puzzle and so he came up with this wonderful combination of tunes to take us on a journey.
Findlinge is a colorful psychedelic ride trough textures and rhythms. A dream within a dream within a dream, where you are still able to collect little gems and take them from one world into the other.
Like most of my music these tunes are very much based on different sampling techniques. Digging my vinyl collection for sounds between sounds and carving out hidden memories in dusty record grooves to reconnect them into emotional context.
Die Luft ist flüchtig – durchschneiden wir sie mit den Schwingen der Kunst – halten inne & die Luft an – und genießen gemeinsam einen angenehm chaotischen Querschnitt durch die Berliner Subkultur.
Unberechenbare Winde haben dafür gesorgt, dass unser Lieblingsfestival in diesem Jahr eine Pause macht. So hat es uns an einen wonnereich gepflasterten Stadtstrand, im Kiez zwischen Ostkreuz und der Frankfurter Allee, gespült… Am 4. und 5. August soll von dort aus vielfältiger Sound ertönen, zum Kopfkratzen und Ausrasten, während wir uns am Labsal der edlen Weinbeere berauschen, unter tanzenden Schatten ausruhen und letztlich begeistert – oder entgeistert – die Sonne unter dem Pflaster suchend, frei wandeln.
Wir laden euch herzlich dazu ein, unerschrocken auch im Tanz mit den Hyaden – uns diese Welt einzubilden.. stellt euch das mal vor! Jetzt, am Wochenende!
On the first weekend in June we will be celebrating the naming of the cultural Bermuda Triangle with a three-day festival here in Berlin/Friedrichshain. We will infect all your senses with jam sessions, art punks, acid breaks, creative workshops, theater performances, a marketplace and anything else your imagination can dictate.
We’re getting the first proper temperatures here in Berlin. A good chance to spend a day at the historic RAXXXHAUS. Starting at 4pm we will have food, screen printing, tatoos and a shitload of music.
There will be a whole bunch of Bands starting from 6pm and then DJ action from 1am. I’m gonna provide the missing link between both worlds, playing an electronic Live Set around Midnight.
Everything for the good cause of keeping DIY spaces in FHain alive!
If you thought we present our new movie we have to dissapoint you. Its just Ocotbird and Vodor L Zeck playing muzik for you the whole night.
Vodor L Zeck kicks of his european tour in Berlin on Friday the 13th, cause there is no better date to start a tour into the unknown. Come together at 8KW and have a dance to some Acidish Braindancy IDMish Electro 4 to the floor breaks house music 🙂
I’ve always maintained a very moody relationship with dub influenced music. I deeply admire all the ingredients: The circulating, stumbling drum patterns, the all-consuming tape echos and of course….bass! But the final implementation always carries the risk of ending up in cultural or musical cliches. With Dub Techno there often seems to be a far to narrow defined set of tools of echos and comb filters mixed with minimal techno put together somewhere in the late 90s. That’s why I felt much more successful discovering influences of dub in all kinds of musical directions.
The following collection of tracks is a rather weird one. I would totally agree with someone arguing that this isn’t really dub music. It’s not. But it carries a lot of the mindset of dub music as a ritual, hypnotizing art form. Less researched, more recovered from different corners of my music collection.
Tribe of Colin – Alasallmenhathbeencreatedequal Vladislav Delay – Avanne Move D & Pete Namlook – Footer Stefan Goldmann – Streams Marcellis – Hopeless Roger 23 – Future State Simon Haydo – Parade of Unhappy Peter Graf York – Jahlette Sensor Excel Al Wootton – Wychwood Dub Павел Миляков – Silent E Madteo – Same Way (Interior Paramours Mix) Aybee – Moon’s Whisper Efdemin – A Land Unknown
Phew! It’s already been 6 months since my last appereance on Pr0gramma with my Bimstein EP and obviously I went back into the ethernet shadows after that. Not really – I rather went into the shadows of my studio racks, taking a recent mixture of changes and chances as an inducement to rebuild my studio setup. And as a result of some quite drastic setup changes there also went quite some time into learning new machines and software and teach them to communicate with each other.
So let’s take a few steps back and remember where we took off, shall we?! Back in April I had my last appearence on Austin Cassels radio show. And while it’s rather unlikely…maybe some of you missed that one. If that’s you…or if you just wanna listen back to some Octobird stuff, here is the set I played on Austin’s show:
Andreas Grosser – Rhythmic Desert UFOCUS – Fun With Fractals Octobird – Desert Hall (unreleased track) Dona – Vrs 2 D’Marc Cantu – Another Number DJ Spider & Franklin De Costa – F Planet Simon Haydo – The Territories Marked S Olbricht – Asterid oxvac – 7 Octobird – Monowai DJ Spider – Inner Earth Existance Israel Vines – Rage Appropriate Container – Peppered Don’t DJ – Hexentrix (Jordan GCZ Remix)
So much for the warmup and hopefully I’ll be back soon with some actual “news” 😉
Back home at Pr0gramma, back to some rough and raw structures. I’ve always been bad with timing and so I present theses rough and earthy tunes just as the brighter days are coming. And while I may be a bit better with words I stick to the valued opinion of Pr0gramma’s Ismael:
Back in the key of Octobird, we return to the pristine dynamics of Bimstein. From the onset, Palm Slap leans in with sluggish tape edit styles, tight electro rhythms, and playful earworms. Evolving into what feels like a moody 5th gen platformer, things take a more metallic heavy-rhythm turn. Controlling the color palette is a clear Octobird skillset. Passing halfway, melodic tension emerges once again from the rhythmic detour making for a very narratively guided trio of closing tracks. From the heavy side-pumping of saturated echoes to the crazy well-crafted perc throughout, PR16 feels like the inevitable polished gem of a closer. There is no lag here, just pure diamond quality.