The mighty Beathaven himself labels it Devonshire Electronic Music.
“Unknown to the masses, techno and electro was invented in the dangerous back streets of North Devon. This music is in our veins, brains and hearts.”
Like most of his releases he published Electro Sonatas on his very own playground Midievil Records. And it’s yet another excellent example of the healthy diversity of acid infected, machine loving, intelligent dance jamming scene you can find under the hood of Bandcamp, Soundcloud and on various smaller Vinyl Labels.
It’s stunning how Beathaven keeps his tunes from the straight Four-To-The-Floor recipe but still gives you no other choice than follow with your body like a wigglely worm. Add some detuned Synth Lines on top and you can imagine how life was back in Midievil times. Dark but adventurous, rough but also spontaneous. So hopefully Beathaven will keep on leading us the way trough Devonshire Forest.
Got that little scamp! Ghostband is not a band! It’s a kid in a candy store smearing his tunes with glittering melodies and evil plans to put you on one leg. And before you know it you are in the middle of a breakcore massacre.
Ghostband is throwing out self released recordings since 2011 but came first into my consciousness with his Tape Release Acid Deco which got some promotion via the legendary Bleep Store (Which is an offshoot from Warp Records as far as I’m aware). It had “Acid” in it’s name, so what could you do wrong by grabbing it. But it sure wasn’t an Acid Album. It reminded me somehow of Venetian Snare’s early sample based Breakcore mayhems, that always contained this errant wicked humor. But it wasn’t a Breakcore Album by definition. Instead it took all these ingredients and tossed them around with a very playful attitude.
Grime Synthesis takes this musical diversity even further (let alone that it’s not a Grime Album). It feels like AFXs Donkey Rhubarb on heavy rotation. Rhythmically it feels like a bouncing ball that refuses to listen to the laws of gravitation and while the melodies always start kinda fluttering around friendly, you know that this ain’t gonna end in peace.
Aleksi Perälä has been maneuvering under the radar for quite some time. The first time he got some attention from a wider audience was with his “Colundi Series”. It was a tremendously big collection of 13 Album length releases and somehow reminded of the time when Aphex Twin released his Analord Series. On the Colundi Series Aleksi Perälä was especially hyped by his intense approach to microtonal sequence composing. But it covered a wide range of sounds from Ambient to IDM to Oldschool Techno.
Simulation is Perälä’s second release for the Clone Basement Series. And to me is special because it widens Peräläs horizon of sounds even more. First and foremost it’s dynamics. As it is an energetic album on an emotional level it is by no means a result of the still ongoing “Loudness War”. There is so much air between all these sounds that it feels like a relief that let’s you inhale very deeply. In this sense it really feels like a ruminant Album. And Perälä follows this path by adding trancy elements with its most natural meaning. The floating melody sequences feel like they are soaked with energy of the elements that sourround us. The classic drum machine sequences feel more like wind than like banging Techno hits.
Simulation is heavily rooted in this 90’s soundscape mixture of driven Techno and the Rephlex definition of IDM. It inevitably reminded me of Slag Boom Van Loon. A collaboration of Speedy-J and µ-Ziq from 1998. But without any doubt it has its very own quality.
It sounds like Tape Squize had to squeeze his 5 Braindancer Megahits on double tempo onto the Tape because he got a bit tight on Tape length. This guy from Portland, Oregon gets straight to the point. Highspeed Rephlex Drums, melting Acid Lines and washed out Melodies that will tell you everything you ever wanted to know about Love. If you are just tough enough to listen.
The YOOWO EP joins a full handful of releases from msh3005 Records. But this one is by far my favourite from what I’ve heard so far.
Collectors can get the EP in lovely old-fashioned formats. A tape version – which should be sold out by now. And also a CD version in an oldschool Floppy Disc Case.
“Handmade by the artist himself while he was struggling to find impossible (for him) inner peace and get proper amount of sleep.”