Tentacle Loot #21 | Metadata – TRANS EP

Open your ears and tip your toes for this handy 2-Track-Banger from Metadata!

The Argentine label Infinit Records dropped their third EP into the realsm of Bandcamp in notime. And slowly but steady the musical cornerstones that pull the two labelheads Franco ‘D and Cruz Coronado together emerge. Trippy acid jams, analogue breaks and a balanced preference for classic MPC Downbeats without committing to the 90s all too much – at least not in terms of BPM.

Quite the contrary – Metadata’s TRANS EP (a side project by Cruz Coronado and Lan) raises the pace bar siginificantly. Stubbornly impulsive and yet somehow playful, more drum machine than sample chop, the drum carpet whizzes over the almost 10 minutes. The melody part, meanwhile, jumps happily irradiated alongside. Grinning broadly without noticing how the warning tempo limit signs roll by. It all sounds kind of like Plone at a 90s jungle party, but it’s a fun portion of braindance that warms up for the next group activity.

J’s rolled with fingers crossed 😉

Octobird Salad #10 | Dream State Inhabitants

Ahhh … it’s been a while since the last time I gave these virtual turntables a physically modeled spin. Pretty busy grinding down home made rhythm exercises  so that they could see the light of the ether as soon as possible. And of course vacation. In dream states around the globe. I wished myself everywhere. As a lively, vibrating disembodied being that flows unabashedly through the bars of the present. Dancing, dreaming, slowly fading.

With their debut EP Seasick in Salts, uh just recently built a wonderfully suitable runway for these dream trips. Somewhere between trippy Acid Ambient spheres of the Orb and free-spirited pop designs of the late Roisin Murphy, uh embark on a journey that never ends in just 30 minutes. Located somewhere between 1990 and infinity.

Klasse Wrecks also brilliantly mastered the art of lifting genres everyone knows and has never heard before from the depths of our subconscious . Their recent releases are basically the blueprint for everything that buzzes around in this OS episode. Endlessly reverberant hooks, tripping breakbeats and sprinkles of classic rave vocals. And with their latest (and for some inexplicable reason purely digital) Homeboys EP, the two Klasse Wrecks masterminds Luca Lozano and Mr Ho simply nailed it (…to the point where describing words become totally redundant).

In order not to slide into oblivion of interwoven dream sequences, a special magic is required. Lesinge, who already made a lot of promises on his Acid Waxa debut in 2017, has now set up his own acid hit list with Plic Ploc. The melodies play ping pong, the bass runs bowl and the beats make cricket. If he continues to grow so steeply, we urgently need an initiative against home sports.

#staysave dream dancers, headphone ravers, virtual snake creatures…

TRACKLISZT:

ARTIST

uh
B12
The Boys From Chariss
Route 8
Jay Ka
Cliff Lothar
Alphonse
Luca Lozano
Justin Cudmore
Lesinge
Luca Lozano
Innerspace Halflife
Horsepower Productions
Ex-Terrestrial

TRACK

Contact
Play with Me
Bass Love
Turning Point
Dirty Earth
Devotion
Xanax 123
Bedroom Beat
New Jack the House
Une Verte Deux Blanches
Biohazard
Wind
TP
Insect Reject

LABEL

Prah Recordings
Central Processing Unit
Klasse Wrecks
Lobster Theremin

Turbo
Klasse Wrecks
Klasse Wrecks
The Bunker New York
Acid Waxa
Klasse Wrecks
M>O>S Recordings
Sneaker Social Club
Magicwire

Tentacle Loot #13 | Neurolucifer – Keygen

Finnish producer Neurolucifer has been diligently spreading his driving Breaks and Braindancers over various net labels during the past year. For the various label cross-references alone it is worthwhile to travel with him from Cyberia via Sun Hole to the New World. With his latest release on Pr0gramma, he now has a sojourn at the label that has already given me shelter once or twice.

On Keygen he guides us through 4 tracks and 3 remixes of Braindance and Breakcore tracks with a classic Planet-µ coloring. Tense, nervous, but always optimistic enough to give the twitching brain little strikes across all emotion sectors.

And since labelhead Ismael Stein (as always) wrote a wonderfully rich accompanying note for the release, there’s not much more to do than pass on the computer keyboard in awe …

“Adopting a mythical namesake, Neurolucifer opens with some low-flying early harsh Aphex Twin-ambient/DnB fusions. These early hints of DnB and 90’s club are refined to a T with stuttering bit crushed breaks, resonating 303 lines, and space documentary friendly sound design. Heartblead and Chrysopoeia both balance this advanced-level puzzle like composition style arranging ethereal pads with fiercely chopped breaks and a squelching lower register. Three remixes round out the bottom end of the album with an initial well deserved chilled take on Heartbleed followed by two versions of Irtauduttuani – one more bass and break driven while the other floats around textures of echoing arpeggios and breaks.”

Octobird Salad #6 | I still don’t know what I did last Summer

Damn, the last winter of the decade! Outside, in front of the clubs, queues doze in puddles and slowly soak themselves up with mud. Inside, as a precaution, the soundtrack of the indivual is bashing down the faces in a minor key in order to push the impending depression back into subconscious. And I’m crouching here in my over-heated flat and still don’t remember what I did last summer.

Time to put my smartphone into the video recorder to recapture.

It was definitely a happy one. Always nice and LoFi, but most companions out there already realized that there’s need for more than a 64bit tape plugin on an 808 beat to make everything 12bit.

World Crime League cruises with us through a wonderfully wonky, housy album thing, cheerfully wagging their feet between throttle and brakes. Sweely and Ex-Terrestrial inject their light-footed acid house with springy breakbeats and rewind our listening habits back into the next subgenre of the 90s. And Marco Bernardi shows that he can do totally, completely different than dystopian and dissonant. Same Ingredients but with loads of sugar. A nice dessert before the next rough meal.

Last but not least, it is still a tongue-in-cheek pleasure to look back on a decade of tape rewinds, in which we’ve been daydreaming all nights in long forgotten associations of a brighter future.
Not to be imagined if, from 2020, completely new genres may pop up again. Then it’s over with cozy!

TRACKLIST

1 Palmbomen II – Pure Tibet [Beats In Space Records]
2 World Crime League – Palm Haze [Temporize Records]
3 Dreems and Jamie Blanco – Percussive Racing Cars [Futureboogie Recordings]
4 Leo Anibaldi – Universal [Safe Trip]
5 Sweely – You Don’t Really Want Me [Lobster Theremin]
6 Marco Bernardi – Space Coral [Futureboogie Recordings]
7 Nackt – Let’s Go Shopping [Left Hand Path]
8 RIP Swirl – Possessed
9 Ex-Terrestrial – Urth Man [Pacific Rhythm]
10 SFV Acid – Trader Joe [SFV Records]
11 Junk Runner – Nanofax [Pr0gramma]
12 Leonardo Martelli – Alice [Antinote Recordings]

Tentacle Loot #9 | Mindcolormusic aux4410

Mindcolormusic’s one man label mastermind DJ mnvr has been pretty busy releasing wonderful little mindbending braindance gems since last year. Sympathetically he skips back and forth between Compilations, EPs and Split-Eps on which he relies less on proven formats than on his sense of coherent track compilations. And so – behind the superstructure of Braindance, Acid and IDM – his publications  always tell a flush story beyond genre boundaries.

The fact that we are choosing the aux4410 from these short stories is, of course, due to the fact that Veglord Vodor L Zeck contributes his part on the knobs here. But together with Quadratschulz, Bromic, Sonornote, Bovaflux and a few others, it creates a wonderful something of nervous drum shuffle, sprinting acid lines and hovering disharmonic megarave emotions.

May the end of this story remain open for a long, long time!

Tentacle Loot #4 | Ghostband – Grime Synthesis

Got that little scamp! Ghostband is not a band! It’s a kid in a candy store smearing his tunes with glittering melodies and evil plans to put you on one leg. And before you know it you are in the middle of a breakcore massacre.

Ghostband is throwing out self released recordings since 2011 but came first into my consciousness with his Tape Release Acid Deco which got some promotion via the legendary Bleep Store (Which is an offshoot from Warp Records as far as I’m aware). It had “Acid” in it’s name, so what could you do wrong by grabbing it. But it sure wasn’t an Acid Album. It reminded me somehow of Venetian Snare’s early sample based Breakcore mayhems, that always contained this errant wicked humor. But it wasn’t a Breakcore Album by definition. Instead it took all these ingredients and tossed them around with a very playful attitude.

Grime Synthesis takes this musical diversity even further (let alone that it’s not a Grime Album). It feels like AFXs Donkey Rhubarb on heavy rotation. Rhythmically it feels like a bouncing ball that refuses to listen to the laws of gravitation and while the melodies always start kinda fluttering around friendly, you know that this ain’t gonna end in peace.

Tentacle Loot #1 | Batfinks – Mosaic

Earthy, tricky and yet impulsive. Batfinks release on Caoutchou Records is a sick mosaic of sound called Mosisac. So much grown potential which will sadly not be able to grow on, as he passed away last year.

His Mates from Caoutchou say:

Batfinks became part of the Caoutchou fam since he contributed the track ‘Shamalaalaa’ for the second Rubber Beats compilation back in ’09. 5 years later we released ‘Bibobleyboo’ on our label and early 2016 he sent us new material; an album named ‘Mosisac’. Later that year we heard the sad news that Ste had passed away.

Batfinks was a mysterious character on whom we never really got a hold. When we talked, our conversations ended up in neologistic gibberish and laughter which was simultaneously amazing and funny. When we asked about his background to compose a promo text for his album this is what he wrote to us:

“Learnt my first chords when I was 4 on a Casio MT-65 on the toilet which was very satisfying I must say. Learnt how to play 808 State and Sonz of Da Loop Era tunes when I was 7 with a mate of mine, Jim Noir. Spent a lot of time with my dad and brother going to bluegrass gigs and old folks homes. Influences were mainly old school rave music when I was younger but then got into Gong, The Orb, Orbital, Autechre and that. A lot of jazz and world music stuff which was through my brother and his mates.”

Mosisac shows us a side of Batfinks which we haven’t heard before. Instead of the usual Batfinksesque sound we are now introduced to a collection of grim and gloom-ridden tracks although his typical sound is still imminent. In his dad’s words: ‘The musical version of Hieronymus Bosch paintings… it’s a profound vision of someone on a path’

We love you, Batfinks. Forever in our hearts and ears.

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