Wagawaga has been a silent companion in my musical metacosmos since the very early days. With his first releases on Acroplane – where I also had my first flying lessons – he absorbed the quintessence of dubstep very early, freed from its bursting clichés and reassembled from a fund of unbridled creativity.
While early albums like JinJaNoonBus still shot from all directions with genre references from Dubstep, Breakcore and Acid, his wobbly sound now seem to spring from a center point. That’s neither good nor bad, because Wagawaga has always been somehow … eh ….. Waga Waga … has always been fun, but it offers a different approach to his world. You may stumble and dissolve, change your physical composition, threaten to give up your body in a literal jungle of bass and swelling drums but finally are caught again with a swing. He utters you the desire to use awareness and control as a crutch and fulfills the unspoken desire to be reborn as a rubber ball. Musically, he puts the complete dubstep manual aside and relies entirely on a breathing carpet of bass and natural field recordings. On this he lets his stumbling jazzy drum patterns swell up and down, weaves in sound effects and mantra-like melodies.
What a wonderful late summer!