Octobird Salad #7 | Pacific Planets

I tend to go off topic. No 2020 dystopian megafuture, no winterly cold digital abysses. Instead: Which instrument would you bring on a desert island? … on a strange planet … to communicate with people there … or at least to just hang out and watch the two moons …

…fairly stoned.

In the variety of experimental house music, a handful of artists have emerged in recent years, who have given a very own coloring to the washed-out concept of world music. Far from squeezing cultural assets of non-Western cultures into banging club tracks, but also from subordinating themselfes musically to the researched cultural heritage in false humility by simply creating a prettied blueprint. Instead they trace back their own club culture as a contemporary kind of rite and ecstasy to the origins of this music, which functions far from egocentricity and self-expression. Be it as a musical concept or just as an ingredient in experimental club music.

Probably the most consistent in this ranks are Don’t DJ (which I unfortunately stupidly DJed twice in this set … sorry; /). With their percussive polyrhythms and impulsive monotonous structures, they build bridges between non-western tribal music and the raw idea of techno. The 12th Isle label preferably uses color palettes and publishes wonderfully quirky tracks, impregnated with pale pastel memories from a imaginary Caribbean vacation in 1974(ish). And then there are formations such as Groupshow (with Jan Jelinek), Tru West or even Transllusion that are deeply influenced solely by their clearly audible improvisational character.

TRACKLIST:

Pacific
Untitled (Blue)
Fly Timoun
Repercussion
Silent Elektro
Speedway
Chilazon 2
Syrian Rue
Pet Hair Magnet
Alternative Currents
Forget About It
Moment 4
Chasing The Loophole In A Relentless Spiral Of Self-indulgence

Tentacle Loot #11 | The Hatcliffe House Tapes Vol. 7 – Incidental Moments And Accelerated Fusion

… or just one of countless research papers from the John Lee Richardson lab.

When you first land on the Bandcamp site of Indifferent Space Recordings, you feel a bit lost but yet tied up by unknown forces at the same time. What kind of planet is this? A tape label … an acid planet? But then track after track you become aware that you’ve stranded in a peaceful dictatorship, because this planet counts only one inhabitant:
Captain John Lee Richardson.

Richardson recently released the collected works of his two senior alter egos from his self-managed discography: Acrelid – Illegal Rave Tapes and The Hatcliffe House Tapes. While he indulges in a good old sample-loaded Braindance style on his Illegal Rave Tapes, his “House Tapes” are more dedicated to the laid back psychedelic spheres of retrofuturistic electronic music.

On the warm, limited frequency spectrum of a cassette recording, one get carried away into the infinite vastness of space and yet always has the feeling of being in a very personal, comfortably furnished parallel universe. Sometimes stoically impulsive as on old recordings of the Silver Apples, sometimes leaning back and playful as on many Ghost Box releases.

As I said, Vol. 7 – Incidental Moments and Accelerated Fusion is actually just an entry-level terminal if you decide to travel with Richardson. Because once you’ve started, you’re out there for a while. Far out!

Highly recommended are also his early Oscillopeisia releases as well as his YouTube channel, which gives a wonderfully blurry look from his spaceship.

Tentacle Loot #8 | Oxvac – Partials

As part of the American electronic music collective Pr0gramma Oxvac has been releasing his music since about 2015.

On his latest release “Partials” he clearly demonstrates references to abstract rhythm constructs as they were cited by greats like Autechre in the Warp era . However, he neither tries to make himself comfortable in homage nor in practising some kind of beatmashing-competition but adds a very personal coloring. Which, in its warmth, happily stands out from the cold, mathematical IDM sound. The warm analog origin of the modular system responsible for most of the synth sequences is clearly audible and the background noise that accompanies us throughout the whole album sets itself like a little piece of meadow under the tracks so that the organic melodies may writhe on it. The beat structures also seem to hover between complex patterns and a wide-breathing 4/4 bass drum.

So yet again another happy accident to find such beautiful electronic music from the U.S. of A. From this side of the Atlantic’s perspective I can  just say it’s nice that you’re no longer necessarily get overpowered by EDM-Metal-Dubstep, but can also lift the actual treasures (which have always been there!). At least on platforms like Bandcamp and Co.

Tentacle Loot #6 | Brainwaltzera – Poly-Ana

When Brainwaltzera released Poly-Ana in 2017, coming out of nowhere, they were kinda hyped by the fact that they had no other than Aphex Twin as a true fan on their Soundcloud List. These Hypes can easily overshadow the true worth of an release or artist. But it must have worked and is granted to them.

Poly-Ana is kinda like a new Planet that all of a sudden appeared at your window and you start wondering if it always had been there. It combines the warm earthy sound structures of the ones like Four Tet with the wobbly Synth Melodies from Boards of Canada but always keeps to it’s very own emotional dimension. This helps the album to gradually break away from the mentioned comparisons in your consciousness and to develop a timeless value on its own.

Inhalts-Ende

That's the bottom of the sky.

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